If Ever You’re In The Area was a multi-faceted and collaborative project, held at coastal locations and art venues in the East of England during 2005 and 2006. The project responded to the physical and historical qualities of these isolated edge-lands, shaped by global events such as (fear of) war-time invasion and the effects of rising sea levels . If Ever You’re In The Area involved a solo show from 10 June to 6 July 2006 at the Naze Tower in Walton-on-the-Naze, Essex, (first shown at firstsite in 2005) with a focus on a live event day on 1st July 2006, when local Sea Cadets performed Lines of Approach.
Lines of Approach used semaphore messages and a relay of boats in an attempt to establish communication between the land based Naze Tower and Roughs Tower, home of the micro-nation Sealand, eight miles out at sea. The event was broadcast live on radio by BBC Essex, in a two-hour programme featuring updates on messages transmitted through Lines of Approach, interviews with local people, and music from the pirate radio days.
The absurdist video Standing Wave features the rhetorical message What Do You Stand For? being communicated to Sealand and back to the Naze Tower by boat and semaphore.
Introduction by Laura Early, firstsite
Every victory leaves another resentment, another defeated and humiliated people. Another place to guard and defend and fear. What I learned about war before I came to this lonely place were things any child could have told me.
Jeanette Winterson, The Passion
Over an intense two-year period, Bettina Furnée has produced a significant body of work under the title If Ever You’re in the Area: an exploration of war, migration, identity and fearing attack. It began with an exhibition at firstsite, Colchester (18 June – 23 July 2005), an occasion that marked a physical movement for Furnée’s work, from external locations to a traditional – and indoor – context. Site specific interventions are another feature of the project. Developed along the East coast, they have incorporated chosen audiences and places. In the final phase these two aspects come together, with pieces being sited inside and outside for an exhibition at the Naze Tower, Walton-on-the-Naze (10 June – 16 July 2006).
Text and collaborative working are central to Furnée’s artistic practice, and become uniting factors between the different elements and settings used within If Ever You’re in the Area. In this publication, produced at the project’s culmination, its entirety is brought together; gallery works, interventions and installations can be considered side by side, forming one distinct visual language.
The words, poems and fragments that are the textual basis of each artwork have been assembled from various sources. Together with the work of professional poets, the artist drew on responses gathered at community events organised to enable direct interaction with those ‘in the area’. This collective quality of Furnée’s collaborations gives an authenticity to her narrative; a sense of personal legacy lies within If Ever You’re in the Area.
The coastal sites used are places resonating with meaning: where military structures of watchtowers and bunkers remain; erosion of the coastline reveals natural invasion; and local communities hold on to memories of former conflicts. Lines of Defence, sited at Bawdsey in Suffolk, is one such example and central to the body of work. Here individually lettered flags were positioned on the land’s edge, disappearing to visually record the seventeen metres worn away over eight months.The progress of Lines of Defence, along with other works, was tracked during 2005 on the If Ever You’re in the Area website: a platform to access and engage with the project as a whole. As Furnée’s flags were lost to the sea, their finders were asked to send her a message of discovery. This element of unexpected, but welcomed, participation has existed throughout the project. An active, even performative quality is evident too. From an invitation to place pebbles in and around a constructed cenotaph at firstsite, conversations held over tea, to the signalling by individuals at the Naze Tower across the sea to others in the Principality of Sealand, If Ever You’re in the Area has constantly involved as it evolved. More significantly, such direct perspectives have not only fed into the work but also seem to have validated it.
firstsite is privileged to have been part of the realisation and presentation of If Ever You’re in the Area, and to be producing Furnée’s first publication. The artist is grateful to Arts Council England for their generous support through Grants for the Arts, and to Elizabeth Fisher for her essay locating the project within a wider historical and contemporary art framework. Poets Simon Frazer and Tony Mitton, whose texts are reproduced throughout this book, must also be acknowledged for their valued contributions.